In the seventeenth century, riots, rebellions, and revolts flared around Europe. Concerned about their internal stability, many states responded by closely observing the violent upheavals that plagued their neighbours. Rebellion and Diplomacy in Early Modern Europe investigates how in this struggle for intelligence about internal discord, diplomats emerged as key information brokers and interpreters of Europe's tumultuous political landscape. The contributions in this volume uncover how diplomatic actors interacted with rulers, opposition leaders, informers, media entrepreneurs, and different audiences in their efforts to understand, communicate, and draw lessons from the insurrections in their time. Rebellion and Diplomacy also examines how diplomats actively tried to shape the course of internal conflicts by managing the spread news, supporting political factions at their court of residence, and even instigating violence. Covering different European regions from the Iberian Peninsula to Scandinavia and from the British Isles to the Carpathian Basin, the book will appeal to all students and researchers interested in early modern diplomacy, politics, and news cultures.

When I was asked by the non-profit gallery FELT Space in Adelaide, Australia to propose an exhibition for their space I began thinking about other people who collect artwork and how their collections acquire cultural and financial significance through personal stories, exhibition histories and auctions, to name a few. This led me to the John Kaldor Family Collection of contemporary art that was donated to the Art Gallery of New South Wales in Australia. I marvel at John Kaldor's persistance and dedication to contemporary art but I also wondered if I could develop significance in my own versions of his artworks if I had them re-created by the painting fabrication company I work with in China and organized my own exhibition of artworks from the Kaldor Collection. With this as my focus I developed a catalog with images of the artworks and essays by artist Joey G. Cruz and art historians Andrea Bronte and Mary Coyne to give context and value to my re-made artworks.

This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. For victims of persecution around the world, attracting international media attention for their plight is often a matter of life and death. This study takes us back to the news revolution of seventeenth-century Europe, when people first discovered in the press a powerful new weapon to combat religiously inspired maltreatments, executions, and massacres. To affect and mobilize foreign audiences, confessional minorities and their advocates faced an acute dilemma, one that we still grapple with today: how to make people care about distant suffering? David de Boer argues that by answering this question, they laid the foundations of a humanitarian culture in Europe. As consuming news became an everyday practice for many Europeans, the Dutch Republic emerged as an international hub of printed protest against religious violence. De Boer traces how a diverse group of people, including Waldensians refugees, Huguenot ministers, Savoyard office holders, and many others, all sought access to the Dutch printing presses in their efforts to raise transnational solidarity for their cause. By generating public outrage, calling out rulers, and pressuring others to intervene, producers of printed opinion could have a profound impact on international relations. But crying out against persecution also meant navigating a fraught and dangerous political landscape, marked by confessional tension, volatile alliances, and incessant warfare. Opinion makers had to think carefully about the audiences they hoped to reach through pamphlets, periodicals, and newspapers. But they also had to reckon with the risk of reaching less sympathetic readers outside their target groups. By examining early modern publicity strategies, de Boer deepens our understanding of how people tried to shake off the spectre of religious violence that had haunted them for generations, and create more tolerant societies, governed by the rule of law, reason, and a sense of common humanity.